Dalit literature Essay Example for Free

Dalit publications EssayChaucer and the Elizabethan Age The Neo Classical Age The Romantic and the Victorian Ages Twentieth century Theory and practice of description 4 4 4 Max. mark Uni. CIA Exam. 25 75 25 75 25 75 6 6 30 4 3 19 25 25 125 75 75 375 degree Celsius 100 500 Ins. Hrs/ Week 6 6 6 Credit Total 100 100 100 I Year II Semester important Paper-5 main Paper-6 MAIN Paper-7 MAIN Paper-8 COMPULSORY account electoral Paper-2 position run-in and Linguistics Indian belles-lettres in English Shakespe atomic number 18 American literary productions clement Rights refreshed Literatures English 6 5 6 5 2 6 30 5 5 5 5 2 3 25 25 25 25 25 25 25 150 75 75 75 75 75 75 450 100 100 100 100 100.100 600 II year III Semester MAIN MAIN MAIN MAIN Paper-9 Paper-10 Paper-11 Paper-12 6 6 6 6 5 5 5 5 25 25 25 25 75 75 75 75 100 100 100 100 ELECTIVE Paper-3 body politic Literature literary Theory and Criticism I English vocabulary Teaching Literature, Analysis, Approaches and Applicat ions Film Reviews and Presentation 6 30 3 23 25 125 75 375 100 500 MAIN MAIN MAIN MAIN ELECTIVE Paper-13 Paper-14 Paper-15 Paper-16 Paper-4 (or) Project 6 6 6 6 6 5 5 5 5 3 25 25 25 25 25 75 75 75 75 75 100 100 100 100 100 30 23 125 375 500 II Year IV Semester literary Theory and Criticism II Soft Skills, Literature and Movies. World Classics in description Womens Writing in English phase of Literature Total 1 M. A. English syllabus (CBCS) Papers Credit Total Credits Marks Total marks MAIN 16 4-5 76 100 1600 ELECTIVE 4 3 12 100 400 COMPULSORY news report 1 2 2 100 100 21 90 2100 Subject Total 2 M. A. English course of instruction (CBCS) THIRUVALLUVAR UNIVERSITY M. A. ENGLISH SYLLABUS UNDER CBCS (with return from 2012-2013) SEMESTER I PAPER 1 CHAUCER AND THE ELIZABETHAN AGE Objectives Students atomic number 18 1. open(a) to early English literature with special reference to transition from middle English to the Elizabethan ethos.2. introduced to the earliest English writers through illustration texts 3. to gain a deeper knowledge of the writers and their works UNIT-I metrical composition 1. Chaucer Prologue to the Canterbury Tales The Knight, The Prioress, The Wife of Bath and the Doctor of Physic. 2. John Donne 1) The canonisation 2) Valediction Forbidding Mourning 3) Go and Catch a Falling Star UNIT-II verse 1. Edmund Spenser Prothalamion 2. Wyatt and Surrey As Sonneteers 3. Ballads 3 M. A. English broadcast (CBCS) UNIT-III PROSE 1. Bacon Of Truth, Of Adversity, Of Parents and Children, Of Ambition 2.The Gospel according to St. Mark (MacMillan Annotated Classics) 3. Thomas More The Utopia UNIT-IV gaming Webster The Duchess of Malfi UNIT-V DRAMA Ben Jonson The Alchemist 4 M. A. English programme (CBCS) PAPER 2 THE NEO CLASSICAL AGE Objectives Students are 1. exposed to the shift to the Classical tradition in literary and political terms 2. to appreciate the direful changes in literary social classs 3. trained to analyz e the trends in literary expression of the period UNIT-I poesy Milton (1608 1674) paradise Lost track record IX UNIT-II POETRY 1. Andrew Marvell (1621 1678) To His Coy Mistress2. John Dryden (1631 1695) Absalom and Achitophel 3. Pope (1688 1744) The Essay On Man Epistle II (II. 1 92) (Know then thyself. Our greatest evil or great trade good) UNIT-III PROSE 1. Addison and Steele The Coverley Papers Sir Roger at Church Sir Roger at the Assizes 2. Milton Areopagitica 3. Swift The Battle of the Books 5 M. A. English program (CBCS) UNIT-IV DRAMA 1. John Dryden All for Love 2. Richard Sheridan The Rivals UNIT-V illustration 1. Daniel Defoe (1660 1731) Robinson Crusoe 2. Swift (1667 1745) Gullivers Travels 6 M. A. English computer program (CBCS)PAPER 3 THE ROMANTIC AND THE VICTORIAN AGES Objectives Students are 1. to appreciate the influence of ever changing trends brought near by social and scientific teachings 2. to analyze diverse literary devices of these periods 3. to comprehend and analyze the dialectic amongst Neo Classicism and Romanticism 4. to gain indepth understanding of major writers of the 19th century UNIT-I POETRY 1. Wordsworth Tintern Abbey 2. Coleridge The frost of the Ancient Mariner 3. Shelley Ode to a Skylark 4. Keats Ode on a Grecian Urn 5. Tennyson Ulysses UNIT-II POETRY 1. Br takeing My uttermost Duchess2. Blake Night 3. D. G. Rossetti Infant Sorrow Blessed Damozel 4. Arnold The Scholar Gypsy Ref Victorian poets, ed. V. S. Seturaman, Macmillan Annotated Classics 7 M. A. English computer programme (CBCS) UNIT-III PROSE 1. Charles Lamb From Essays of Elia Dissertation on a Roast Pig unretentive Relations 2. Arnold From Culture and Anarchy Sweetness and Light 3. Thomas Carlyle On Shakespeare (from Victorian Prose ed. V. S. Sethuraman) UNIT-IV DRAMA Oscar Wilde chick Windermeres Fan UNIT-V FICTION 1. Jane Austen Emma 2. Dickens Pickwick Papers 3. Charlotte Bronte Jane Eyre 4. Walter Scott Ivanhoe 8 M. A. English programme (CBCS) PAPER 4 TWENTIETH CENTURY Objectives Students are 1. trained to acquire a working(a) understanding of the war age and their literary consequences 2. exposed to dominant literary traditions and authors of the 20th Century 3. to analytically appreciate mixed emerge literary trends and forms 4. introduced to futuristic thinking through a classic science illustration novel UNIT-I POETRY 1. W. B . Yeats 2. T. S Eliot 3. Wilfred Owen Easter 1916 Sailing to Byzantium The Love Song of J. Alfred Prufrock Strange Meeting UNIT-II POETRY 1. 2. 3. 4. Hopkins.Seamus Heaney Thom Gunn Stephen spendthrift Wreck of the Deutschland The Tollund Man On the Move I think continually of those who are truly great. UNIT-III PROSE 1. Orwell 2. D. H. Lawrence 3. C. P. ampere-second Politics and the English wording Why the refreshed Matters Two Cultures UNIT-IV DRAMA 1. Beckett 2. T. S. Eliot Waiting For Godot The Family Reunion 9 M. A. English S yllabus (CBCS) UNIT-V FICTION 1. Virginia Woolf Mrs. Dalloway 2. D. H. Lawrence Sons and Lovers 3. Arthur C. Clarke Childhoods End 10 M. A. English Syllabus (CBCS) ELECTIVE PAPER 1 THEORY AND PRACTICE OF TRANSLATIONObjectives Students are trained 1. to gain a working knowledge of the origin and development of translation 2. in the various theories and techniques of translation 3. to be able to provide literary and non-literary texts from English into an Indian spoken dustup and vice-versa UNIT-I History of interlingual rendition Origin and development of translation in the West Origin and development of translation in the Indian context UNIT-II Theories of Translation Catford Nida Newmark UNIT-III Translation of Literary Aesthetic Texts Problems and Techniques Translation of Religious Texts in India.Translation of Poetry Translation of Fiction Translation of Plays UNIT-IV Translation of Scientific Technical Texts Problems and Techniques Translation of Scientific Tex ts Translation of Social Sciences Texts Translation of Official Circulars, Agenda, Minutes Translation of Commercial, Financial documents and Legal texts 11 M. A. English Syllabus (CBCS) UNIT-V New trends Assessment of Translation Computer assisted Translation Reference Susan Bassnett McGuire, Translation Studies J. C. Catford, A Linguistic Theory of Translation E. A. Nida, Towards a Science of Translation (1964) E. A. Nida and C.Taber, The Theory and Practice of Translation (1974) Peter Newmark, Approaches to Translation (1981) A. Duff, The Third Language (1961) Ayyappa Panicker, ed. Indian Literature (1995) 12 M. A. English Syllabus (CBCS) II SEMESTER PAPER 5 ENGLISH LANGUAGE AND LINGUISTICS Objectives Students are exposed to 1. the evolution of the English language at a deeper level, updating what has been learnt at the UG level 2. the intricacies of articulating English sounds, enable them to speak better 3. levels of linguistic analyses, preparing them to become effective teachers UNIT-I THE HISTORY OF ENGLISH LANGUAGE.Descent of English language Old English Period Middle English Renaissance After Growth of Vocabulary tilt of Meaning Evolution of Standard English. Recommended Reading F. T Wood An Outline History of English Language UNIT-II PHONOLOGY Cardinal Vowels, English Vowels, Diphthongs and Consonants, Transcription, Syllable UNIT-III PHONOLOGY Received Pronunciation and the need for a model, Accent, Rhythm and Intonation, Assimilation, Elision, touch and Juncture. Recommended Reading T. Balasubramanian A Textbook of English Ph anetics for Indian Students (Chapter 3-17) 13 M. A. English Syllabus (CBCS)UNIT-IV LEVELS OF LINGUISTIC psychoanalysis Morphology, Sentences and their relegates, words, phrases and clauses, phrases, Semantics, Pragmatics Discourse Analysis Recommended Reading Geroge Yule The Study of Language (Chapters 8-13) (Second Edition Cambridge University Press, 1996) Quirk Greenbaum. A University Grammar of English UN IT-V SOCIOLINGUISTICS Language varieties language, society and culture. Recommended Reading George Yule The Study of Language (Chapter 20 21) Second Ed. CUP, 1996) Verma and Krishnaswamy red-brick Linguistics (Units 42 45). 14 M. A. English Syllabus (CBCS) PAPER 6 INDIAN LITERATURE IN ENGLISHObjectives Students are 1. introduced to a wider range of works in Indian Literature in English 2. exposed to a equilibrize textual study of established and contemporary writers 3. enabled to acquire a ho tipic perception of Indian Literature in English in preparation for a teaching or question travel UNIT-I POETRY 1. Aurobindo Thought the Paraclete 2. Nissim Ezekiel Poet, Lover, shuttlecock Watcher 3. A. K. Ramanujan Anxiety (from selected poems OUP, 1995,p. 29, pp. 124-25) 4. Arun Kolatkar From Jeiury 1. The Bus 2. A Scratch 5. Rabindranath Tagore Gitanjali UNIT-II POETRY 1. Daruwalla Hawk (from The Anthgology of Twelve.Modern Indian Poets ed. A. K. Mehotra, OUP (1992) 2. Suja tha Bhat The Star (from Monkey Shadows, Penguin India, 1993 pp 13-15) 3. Mamta Kalia Tribute to Papa (from Nine Indian Women 15 M. A. English Syllabus (CBCS) Poets ed. Eunice DSouza, OUP, 1997, pp. 2021) UNIT-III PROSE 1. Nehru Discovery of India (Ch. 2 and 3) 2. B. R. Ambedkar Extracts 4,5 and 6 (from Annihilation of Caste Ed. Mulk Raj Anand. Delhi Arnold Publishers, 1990, pp. 47-54) UNIT-IV DRAMA 1. Karnad Nagamandala 2. Mahashweta Devi Rudali (Calcutta Seagull, 1999) UNIT-V FICTION 1. R. K. Narayan The English teacher 2.Chetan Bhaghat One Night the Call Centre 16 M. A. English Syllabus (CBCS) PAPER 7 SHAKESPEARE Objectives Students are 1. enabled to establish Shakespeares contribution to development of English literature and language. 2. to gain knowledge and understanding essential to explain his dramatic skills 3. to identify and explain meaning-making and communicative strategies in the prescribed plays 4. point to a concrete understanding of his universality which in this context means his ability to communicate to a far wider spectrum of populate 5. prompted to recognise and appreciate his skills as a wordsmith 6.trained to identify passages (from the prescribed plays) that can be use as case studies to understand and practice soft and communicative skills. UNIT-I As You Like It UNIT-II Othello UNIT-III Richard III UNIT-IV The passs Tale UNIT-V 1. The Elizabethan Theatre and Audience 2. Trends in Shakespeare Studies 17 M. A. English Syllabus (CBCS) PAPER 8 AMERICAN LITERATURE Objectives Students are 1. to explore the uniqueness of American literature at an in advance(p) level 2. trained to analyze the American mind in its important facets 3. enabled to appreciate mutually respectable relationship between India and the U.S. , through the literary medium 4. introduced to American Science Fiction through one of the most representative texts UNIT-I POETRY 1. 2. 3. 4. Walt Whitman Emily Dickinson Robert Frost Wallace Stevens Cros sing Brooklyn Ferry Success is counted sweetest Home Burial myth of the Jar UNIT-II POETRY1. e. e. cummings 2. Amiri Baraka 3. Gwendolyn Brooks Any one lived in a pretty how townsfolk An Agony as Now Kitchenette Building UNIT-III PROSE 1. R. W. Emerson 2. H. D. Thoreau 3. Allan Bloom Self Reliance Walden (Selected Chapters 1,2 and 17) Nietzscheanization of the Left or Vice-Versa(from the closure of the American Mind 1987) 18 M. A. English Syllabus (CBCS) UNIT-IV DRAMA 1. Eugene ONeill 2. Arthur Miller Hairy caricature The Crucible UNIT-V FICTION 1. Mark Twain 2. W. Faulkner 3. Isaac Asimov Adventures of Huckleberry Finn The Sound and the Fury The Caves of Steel 19 M. A. English Syllabus (CBCS) HUMAN RIGHTS COMPULSORY PAPER UNIT-I Definition of clement Rights Nature, Content, Legitimacy and Priority Theories on Human Rights diachronic Development of Human Rights. UNIT-II world(prenominal) Human Rights Prescription and Enforcement upto World War II Human Rights and the U . N . O. Universal Declaration of Human Rights multinational Covenant on Civil and Political Rights foreign Convenant on Economic, Social and Cultural Rights and Optional Protocol. UNIT-III Human Rights Declarations U. N. Human Rights Declarations U. N. Human Commissioner. UNIT-IV free pardon entombnational Human Rights and Helsinki Process Regional Developments European Human Rights System African Human Rights System International Human Rights in Domestic courts. UNIT-V Contemporary Issues on Human Rights Childrens Rights Womens Rights Dalits Rights Bonded task and Wages Refugees Capital Punishment. original Rights in the Indian Constitution Directive Principles of State Policy Fundamental Duties National Human Rights Commission. 20 M. A. English Syllabus (CBCS) Books for Reference 1. International Bill of Human Rights, Amnesty International Publication, 1988. 2. Human Rights, Questions and Answers, UNESCO, 1982 3. Mausice Cranston What is Hum an Rights 4. Desai, A. R. Violation of Democratic Rights in India 5. Pandey Constitutional Law. 6. Timm. R. W. Working for Justice and Human Rights. 7. Human Rights, A Selected Bibliography, USIS. 8. J. C. Johari. Human Rights and New World Order. 9. G. S. Bajwa Human Rights in India. 10. Amnesty International, Human Rights in India. 11. P. C. Sinha International Encyclopedia of Peace, Security K. Cheous (Ed) Social Justice and Human Rights (Vols 1-7). 12. Devasia, V. V. Human Rights and Victimology. Magazines 1. 2. 3. 4. The Lawyer, Bombay Human Rights Today, Columbia University International Instruments of Human Rights, UN Publication Human Rights Quarterly, John Hopkins University, U. S. A. 21 M. A. English Syllabus (CBCS) ELECTIVE PAPER 3 NEW LITERATURES IN ENGLISH ObjectivesStudents are introduced to contemporary and complex writers and their works spanning all the commonwealth countries. If selected for study, this musical theme will enable the student to acquire a hi ghly comprehensive knowledge of commonwealth literature, enhancing their receipt of the paper on commonwealth literature in the III semester, and also providing them with sufficient knowledge place for pursuing research or teaching. UNIT-I POETRY 1. Australia Judith Wright At Cooloola 2. New Zealand James Baxter The Ikons 3. Allen Curnow House and Land UNIT-II POETRY 1. Canada Al Purdy Lament for the Dorsets (EskimosExtinct in the 14th Century AD)(from Norton Anthology of Modern Poetry) 2. Africa Kofi Awoonor Song of War The Weaver Bird (from Penguin Anthology of Modern Poetry- Africa. Eds. Gerald Moore and Ulli Beier. ) 3. ace Nichols West Indies Grace Nichols Of course, when they ask for poems (from Six Women Poets. Ed. Judith Kinsman, OUP, 1992, pp. 41 -43) 22 M. A. English Syllabus (CBCS) UNIT-III PROSE 1. Africa Achebe Colonialist Criticism (from Post Colonial Studies Reader eds. Helen Tiffin, Chris Tiffin Bill Ashcroft) 2. West Indies V. S. Naipaul-India A Wounded nuance UNIT-IV DRAMA.Australia Louis Nowra Radiance J. P. Clarke Song of a goat UNIT-V FICTION Africa-Koetzee Disgrace Canada-Maragaret Laurence The Stone Angel Australia-Peter Carey Oscar and Lucinda 23 M. A. English Syllabus (CBCS) III SEMESTER PAPER 9 COMMONWEALTH LITERATURE Objectives Students are 1. exposed to the literatures of the Commonwealth 2. introduced to the postcolonial perceptions of a wide range of people whose second language is English 3. trained to develop comparative perspectives 4. prepare to discuss the question of identity and dominance of landscape in Commonwealth literature UNIT-I POETRY.Australia A. D. Hope Australia New Zealand Jessie Mackay The Noosing of the sun-god Africa Abioseh Nicol The Continent that lies within us UNIT-II POETRY Africa David Rubadiri A Negro labourer in Liverpool Dereck Walcott Ruins of a Great House Canada F. R. Scott The Canadian Authors Meet (from Anthology of Commonwealth Verse ed. Margaret O Donnell An Anthology of Commonwealth Poetry ed. C. D. Narasimhaiah) UNIT-III PROSE Sri Lanka Ananda The Dance of Shiva Coomaraswami 24 M. A. English Syllabus (CBCS) UNIT-IV DRAMA Nigeria Wole Soyinka The Lion and the Jewel UNIT-V FICTION.Canada Margaret Atwood ascend Australia Patrick White Voss 25 M. A. English Syllabus (CBCS) PAPER 10 literary THEORY AND CRITICISM I Objectives Students are 1. introduced to one of the most enabling forms of literary study 2. exposed to the complexities of literary theory and criticism, which is most essential aspect of literary appreciation 3. trained to understand and analyze literary writings ground on the ever evolving traditions of criticism 4. enabled to form a comparative perspective of the Eastern and Western hyper life-sustaining traditions UNIT-I Introduction to Classical Literary Criticism UNIT-II.Ancient Tamil and Sanskrit Criticism UNIT-III Johnson Preface to Shakespeare Wordsworth Preface to the melodious Ballads U NIT-IV Arnold Study of Poetry T. S. Eliot Tradition and Individual Talent UNIT-V N. Frye Archetypes of Literature 26 M. A. English Syllabus (CBCS) PAPER 11 ENGLISH LANGUAGE TEACHING Objectives Students are 1. expected to acquire the essentials of teaching English as a second / foreign language 2. to internalize the various methods of English language teaching, theory as well as practice 3. trained to appreciate the area specific feature of ELT, in the Indian context, to become able teachers.4. Problems and Principles UNIT-I The role of English in India English teaching in India today UNIT-II Theories of language learning cognitive-theory behaviouristic theory. First language acquisition and second language learning Attitudes to error Inter language UNIT-III Approaches and Methods Grammar Translation Audio-lingual Communicative and Current Trends UNIT-IV Classroom Management and Teacher Student fundamental interaction Materials Production 27 M. A. English Syllabus (CBCS) UNIT- V Reading, Writing, Testimony, Speaking, Study Skills, Literature, Remediation Recommended Reading Howall A. P. R.A History of English Language Teaching, OUP, 1984. Richards, J and Rodgers, S. Approaches and Methods in Language Teaching, Cambridge University Press, 2001. Ellis, R. Understanding Second Language Acquisition, London, OUP, 1985. Pit Corder, S. Introducing Applied Linguistics, Harmondsworth, Penguin, 1973. Edinburgh channel in Appied Linguistics Vols. 1,2,3,4. Yalden, 1. The Communicative Syllabus Evolution Design Implementations. Penguin, 1983. Oller J. W. Jr. Language Tests at School, London, Longman, 1979. David Nunan, Language Teaching Methodology, Prentice Hall, 1991. 28 M. A. English Syllabus (CBCS)PAPER 12 LITERATURE, ANALYSIS, APPROACHES AND APPLICATIONS Objectives Students are 1. introduced to the methodologies of analysis, an integral part of literary appreciation 2. exposed to the expected levels of performance required in them 3. head uped to the ever s iding career options opening to a PG in English, especially in the Knowledge Processing Industry for writers, editors, instructional designers and so on UNIT-I Practical Criticism UNIT-II Journalism and Mass Communication UNIT-III Report Writing and Book Review UNIT-IV Proofreading, Editing and Advertising UNIT-V TECHNICAL WRITINGSpecs, Manuals, Business correspondence 29 M. A. English Syllabus (CBCS) ELECTIVE PAPER 3 FILM REVIEWS AND PRESENTATION Objectives Students are 1. exposed to the newly emerging sketch of film studies 2. introduced to the technicalities of making and appreciation of cinema 3. trained to become reviewers, opening up another career option UNIT-I History of Cinema in India UNIT-II Major Landmarks in Indian Cinema UNIT-III What is Film Reviewing? UNIT-IV literal reviewing by showing film clips UNIT-V The script, storyline, acting, costumes, dialogue, visuals, music and dance, graphics and special effects 30 M. A.English Syllabus (CBCS) IV SEMESTER PAPER 13 LITERARY THEORY AND CRITICISM II Objectives In addition to the objectives for Literary Theory and Criticism I Students are 1. sensitized to the transition from Humanistic to Modern and Postmodern critical traditions 2. enabled to comprehend the dominance of theory in the Postmodern phase 3. introduced to recent contexts, concepts and ideologies UNIT-I Lionel Trilling Sense of the prehistoric Cleanth Brooks The Language of Paradox UNIT-II Georg Lukacs Ideology of Modernism UNIT-III Jacques Lacan Of Structure as an Inmixing of an Otherness Prerequisite to whatever Subject Whatever UNIT-IV.Barthes Death of the Author UNIT-V Simone de Beauvoir Introduction to The Second Sex 31 M. A. English Syllabus (CBCS) PAPER 14 SOFT SKILLS, LITERATURE AND MOVIES Objectives Students are 1. trained to understand the aspects of soft skills 2. exposed to the actualities of the various skills grouped under the rubric Soft Skills 3. motivated, through this paper, to empower themselves with the exp ected skills for suitable employment 4. oriented to recognize and locate the role of soft skills in real life situations UNIT-I INTRAPERSONAL Self-management, self-esteem, self-awareness, self-regulation, self-critique,Jane Eyre UNIT-II EMPATHY Honesty, cultural diversity, Ability to fill up others point of view, integrating cognitive and affective skills, Nelli in Wuthering Heights UNIT-III INTERPERSONAL squad work, persuasion, negotiation, conflict resolution, Reading social situations, learning to say no, active listening, Rosalind, Portia and Viola UNIT-IV COMMUNICATION Body language, facial expression, humour, eye contact, tone of voice, etiquette, 1. Antony and Cleopatra (Movie) 2. To Sir with Love (Movie) 3. Dead Poets Society (Movie) UNIT-V LEADERSHIPCritical, lateral, strategic thinking delegation winning responsibility giving praise and appreciation giving and receiving feedback ability to motivate conundrum solving, Things Fall apart Achebe. 32 M. A. English Sy llabus (CBCS) References Daniel Coleman. Working with Emotional Intelligence. Dale Carnegie. How to Develop Self Confidence and Influence the great unwashed by Public Speaking. 1926. rpt. 1956. Pocket Books. 33 M. A. English Syllabus (CBCS)PAPER 15 WORLD CLASSICS IN TRANSLATION Objectives Enable the students to appreciate the writings for them literary values, cultural importance, philosophical and socio-political background tofacilitate the development of cross-cultural perspectives. UNIT-I Poetry Homer The Sliad Book III Virgil The Aeveid Book IV (438-563) Thiruvalluvar Thirukkural Book II UNIT-II Dante The cavity (Canto III) Gibran The Prophet UNIT-III PROSE St. Augustine The Confessions Book I Confucius Analects 1, 2 Harace As Poetria UNIT-IV DRAMA Anton Chekov The Cherry Orchid Kalidasa Sahuntala Aristophanes The Clouds UNIT-V FICTION Leo Tolstoy Anna Karenina Books (1 2) Thomas Mann Magic Mountain 34 M. A. English Syllabus (CBCS) PAPER 16 WOMENS WRITING I N ENGLISH UNIT-I POETRY Elizabeth Barret Browming.Ways. How Do I Love Thee? Let me count the Sylvia Plath dame Lazarus Maya Angelou Phenomenal Woman Kamala Das Introduction Toru Dutt Sita UNIT-II PROSE Virginia Woolf A Room of Ones Own Arundhathi Roy The Algebra of interminable Justice. UNIT-III DRAMA Mahashweta Devi Mother of 1084 Caryll Churchill Top Girls UNIT-IV FICTION Jhumpa Lahiri The Namesake Margaret Atwood The Handmaids Tale UNIT-V GENERAL Mary Woolstone chicane The Vindication of the Rights of Women Elaine Showalter Toward a Feminist Poetics 35 M. A. English Syllabus (CBCS) ELECTIVE PAPER 4 kind OF LITERATURE Objectives.Students are 1. enabled to acquaint themselves with the major generic divisions in English literature 2. trained in the universally acknowledged conventions of literary research and documentation UNIT-I THE ANATOMY OF PROSE The form of prose vocabulary grammar and idiom written and spoken prose the paragraph prose rhythm individu al and common port common style and cheap style simplicity and ornamentation objective and subjective abstract and concrete realism, romance and unreality special inventions prose for its own sake the historical approach the science of rhetoric writing prose.UNIT-II THE ANATOMY OF POETRY The importance of form the physical form of poetry metre variation rhyme onomatopoeia internal pattern form in intonation repetition the main types of poetry logical sequence the use of associations patterns of imagery traditional verse forms free verse the choice of words illustrations cautions twentieth century techniques. UNIT-III THE ANATOMY OF NOVEL The concept of fiction verisimilitude the point of view plot character character revealed conversation scene and background dominant themes the data-based novel 36.M. A. English Syllabus (CBCS) UNIT-IV THE ANATOMY OF DRAMA Live literature action plots conventional divisions direct experience of characters d ialogue and conversation verse and prose types of drama drama and history use of notes interpretation UNIT-V LITERARY RESEARCH Research and writing the mechanics of writing the format of the research paper documentation preparing the list of works cited documentation citing sources in the text abbreviations Reference Marjorie Boulton, The Anatomy of Prose (1954).Marjorie Boulton, The Anatomy of Poetry (1953) Marjorie Boulton, The Anatomy of Novel Marjorie Boulton, The Anatomy of Drama (1960) Joseph Gibaldi, MLA Handbook for Writers of Research Papers, 6th Ed. 37 M. A. English Syllabus (CBCS) PROJECT dissertation Objective Project Work is a preparatory exercise for research writing. Students are introduced to the basics of research and trained to write academically following the framework given below 1. Introduction 2. Statement of the problem 3. Review of Literature 4. Analysis 5. Summary, findings and suggestions.